Fu Shan's "Scroll of Five Rhymed Poems in Cursive Script", collected by the Palace Museum in Beijing, on damask, 185.7cm in length and 51cm in width.
Explanation: The wind blows the snow, and the waterfall roars in the cloud gate. When I wake up from the wine, I think about lying in a mat, and my clothes are cold and I want to pretend to be cotton. Ye Lao comes to visit, but the river fish doesn't take money. I just suspect that there are mountains and rivers in a simple place. The book is written by Mr. Songchu, Cibo, about teaching and politics. Fu Zhenshan.
This scroll contains a five-character poem by Du Fu, a famous poet in the Tang Dynasty. It is later identified as "written by Mr. Songchu, Ci Bo Jiao Zheng", inscribed with "Fu Zhenshan" and sealed with "Fu Shan Seal". This scroll has no Tibetan seal, and the specific writing time is unknown. Judging from the calligraphy style, it must be a work by Fu Shan in the middle and late period.
According to the "Inscriptions and Postscripts of Fangjian Pavilion" by Guo Shangxian of the Qing Dynasty: "Mr. Zhizhi was a first-rate figure in the early days of the country. The world fought for his division of subordinates, but his calligraphy was full of vitality, which made it even more special." The calligraphy of this scroll is majestic. The continuous flying, ups and downs, and the natural connection between the characters show a vigorous and grand momentum, reflecting the strong personality of the calligrapher. The word construction does not require a stable workmanship, and a single word appears to be unstable. However, when viewed across the board, the charm is vivid and the structure is natural. The changes in the size of the fonts increase the vividness and dynamism of the work, giving people a sense of simplicity and beauty. feel. (Writer: Madigo)
