Comments on student calligraphy works
1. My child, your handwriting is getting better and better. Keep up the good work.
2. You have good calligraphy comprehension, correct learning attitude, good use of the "rice" character grid, and good grasp of the structure of Chinese characters.
3. How to comment on a calligraphy work?
4. ★Three points into the wood★Although the offering has a father-like style, it is not a new trick. Looking at the style of his calligraphy, he is as sparse and thin as a dead tree in the middle of winter; looking at his handwriting, he is as restrained as a hungry official in the Yan family.
5. The shortcomings of temporary work are firstly reflected in the use of ink. There is still too much ink, and it seems that there is always a habit of soaking in ink at the beginning of a word. Therefore, it is difficult to appear the kind of "dense and then dry" dot painting like in the template.
6. In addition to the above things that need attention, writing experience is also very important. The artistic conception of the words written by a cultivated and broad-minded person will be very different from the words written by a craftsman.
7. Comments on progress in calligraphy homework:
8. Your assignment this time is very refreshing. The teacher really makes you happy. I hope you will persevere to the end.
9. The third is to see whether the center of gravity of the words is stable. Good calligraphy works not only feel "stable" when laid flat, but also "stable" when they stand up.
10. Look left and right and respond back and forth. The priorities are clear, the rhythm is clear, and they complement each other.
11. Analyze and process the teaching content appropriately, with clear levels, clarity, appropriate capacity, and coherent and compact links. The inner connection of knowledge can be understood, the key points are highlighted, the difficult points are accurately grasped, and the classroom structure design is in line with the students' actual situation.
12. Although your handwriting is beautiful, it is not as handsome as your appearance. Keep working hard.
13. When appreciating calligraphy, you should first look at the overall situation and have a general impression of its expression techniques and artistic style. Then pay attention to whether the pen, word knotting, composition, ink rhyme and other parts are both dharma and meaning, vivid and lively.
14. The pen moves the dragon and the snake, and the iron draws the silver hook.
15. Comments: There are many terms used in calligraphy. The evaluation should start from the brushwork and ink. For example, the brushwork used in this painting is reasonable and legal, free and natural, the structure of the ten-turn round characters is reasonable, the center of gravity is stable, the shape is steep, and the writing is organized. The words are strong and powerful, with tendons, bones and flesh. I completed the creation of this article with ease like a dragon and a snake.
16. This student has great potential for progress but lacks patience. If he can persist better, he will achieve results.
17. Everyone likes your intelligence and dexterity very much, and your handwriting makes everyone jealous!
18. The teacher still hopes that you can learn to read copybooks, strengthen training, and strive to make further progress. This award is inseparable from your hard work. The teacher hopes that you will continue to work hard in the future.
19. First of all, when looking at a calligraphy work, you must see whether the structure of the calligraphy is arranged appropriately, the process of each stroke, and whether the upper and lower strokes are related.
20. 1. The teacher has profound calligraphy and literary literacy, and solid basic calligraphy skills, which are reflected in his class. This is a solid normal writing teaching class. The whole class has clear objectives and clear links. It focuses on the key and difficult points of teaching in a progressive manner. It breaks through the traditional teaching mode of red drawing and red pen circle comment. It is just right. Use slides to bring new life to traditional teaching.
21. The foundation of calligraphy is very solid, the form is standard and generous, and the use of pens is differentiated.
22. Calligraphy is silent music. When we create or comment on a piece of calligraphy, we must not only look at whether it has a sense of rhythm, but also look at the changes in ink color, whether the entire layout is reasonable, and how well we have mastered the three key points of calligraphy. Finally, check whether the inscription is clever and appropriate, whether the official seal is formal, etc.
23. His real calligraphy is clever and dense, opening up a new realm; his grass is long, thick and slender; his running script is charming and vigorous. People call his calligraphy "floating like floating clouds, as powerful as a frightening dragon"; "dragon leaps over the sky gate, tiger lies in the Phoenix Pavilion".
24. How to evaluate the quality of calligraphy?
25. Improvement suggestions. It is best to make suggestions from the perspective of the history of calligraphy and based on the principle of taking the law to give people a clear reference for learning calligraphy to help improve it.
26. First of all, calligraphy, as a work of art, should give people the enjoyment of beauty. If you can see beautiful strokes, postures, composition, and layout through the work, it is a good work.
27. The handwriting of this calligraphy work penetrates the back of the paper, the font structure is rigorous, and the composition and layout are reasonable.
28. Shortcomings. Characteristics of major deficiencies and secondary deficiencies. From a historical perspective, technique is only part of it.
29. Distinguish which ones belong to the ancients and which ones are created beyond the ancients. This requires a lot of calligraphy knowledge, such as calligraphy history, calligraphy theory, inscriptions and calligraphy techniques. Otherwise, it will be difficult to distinguish.
30. A good calligraphy work gives people a beautiful enjoyment, so what kind of calligraphy work is considered a good work? In other words, what kind of calligraphy is good?
Comments on student calligraphy works
31. Your writing ability has improved rapidly, which is the result of observation and thinking, and is an important manifestation of hard work.
32. 2. The creation of reasonable situations and the creation of a classical music atmosphere during students' practice can reflect the teachers' efforts to make traditional technical content that is boring and far away from students' lives easier for students to learn and love.
33. If you know someone well, you can combine it with their character.
34. It is indeed a big problem for laymen to comment on the quality of works for the following reasons:
35. The second is composition, which is the method of planning the layout of the article. It is the same text, and different layouts will have different effects. For example, the writing method of horizontal couplets needs to be neater, but when writing a word, there is no need to pay attention to this. In addition to the overall layout, a calligraphy work also needs to pay attention to virtual reality, size, soothing and other methods. Generally speaking, it is used more when writing running script and cursive script, while it is more neat when writing regular script, seal script, and official script.
36. The iron book and the silver hook are the best in ancient and modern times. (Posterity commented on Wang Xizhi's calligraphy) A group of crocodiles play in the sea, and cranes dance in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi's "He Jie Biao") Du Shijie has strong bones but thin calligraphy and painting, like a frost forest with no leaves, and waterfalls flying in.
37. The words you write show your carefulness and are the main manifestation of your diligence and diligence!
38. There is no standard and all identifications are based on personal preference.
39. Don’t speak in layman’s terms.
40. In the process of encouraging the progress of their children's calligraphy, these parents are encouraging very well. Through your encouragement, these children's calligraphy is very good, very good, and has made progress. I would like to congratulate all parents and hope that their calligraphy will improve. All children can gain better results in the process of calligraphy, achieve better results, and become an excellent calligrapher.
41. ★Li Bai of the Tang Dynasty's "Cursive Script Song": "Every now and then I see dragons and snakes walking away, frowning on the left and right, and lightning." The paper fell like clouds of smoke (Du Fu wrote Zhang Xu) Manqing's pen, the muscles of the face and the bones of the willows ( Fan Zhongyan of the Song Dynasty ("Stone Sacrifice Scholar's Articles") is like a strong man drawing his sword, with a moving look.
42. No matter what you do, you must be patient and write every word stroke by stroke.
43. (Zhu Changwen of the Song Dynasty commented on Huaisu in "Sushu Duan") Huaisu is like a strong man wielding a sword, with a moving spirit, and while he is circling forward and retreating, he never misses the point. (Mi Fu's "Haiyue Book Review") Floating like floating clouds, as powerful as a frightening dragon.
44. Full of skills, stable center of gravity of fonts, well-stretched strokes, appropriate proportions, uniform sizes, and beautiful fonts?
45. Four stages
46. The standard for good calligraphy is actually very abstract.
47. Fourth, calligraphy reflects the beauty of the art of composition. Calligraphy is not just about writing, it must also abide by laws, reflect the relationship between individuals and space, and find a new balance among the irregularities.
48. All the words that comment on the beauty of storytelling are actually written for people who don’t understand.
49. The theory of skills and kung fu.
50. It is dignified and neat, the layout is clean, the pen is used correctly, fresh and beautiful, interspersed in place, the density is appropriate, the size is appropriate, the layout is well-proportioned, and the slant is appropriate.
51. Advantages. You can first evaluate the overall effect and then evaluate the local characteristics. From the perspective of calligraphy history, you can evaluate the degree of inheritance and the highlights of innovation.
52. Many people know Wang Xizhi and Qi Baishi without having seen many good works.
53. (Wei Dan, a Wei man during the Three Kingdoms period, commented on Du Du) It seems a little horizontal, but in fact it is profound and vast. It contains all things, it contains hundreds of schools of thought, it is like the boundless sea, it is like the boundless universe, which country in the world Can writing be as broad and profound as Chinese characters? It seems that the writing is interesting, but in fact it is galloping and killing. For example, the rough and wild grass, isn't it a thousand troops? Just like the strong wind blowing and the heavy rain falling, which book in the world can be as powerful as Chinese calligraphy? It is said that Cangjie created the characters, which were originally hieroglyphics; the sun resembles the sun and the moon resembles the moon, and the people resemble other people. The vivid oracle bone inscriptions are the earliest essence of Chinese characters. From this, the Chinese characters are deduced. From this, Only then did he perform Chinese calligraphy. You must know that it is Chinese characters that record the history of China; you must know that it is Chinese calligraphy that inherits the culture of the nation.
54. Personal opinion: The calligraphy points are divided into three parts:
55. Appear dignified, teach naturally, and behave generously.
56. The second is to see whether the writing posture is natural. It mainly depends on the structure of the characters, such as white space between the characters, appropriate distance and distance, and whether the upper and lower parts are natural and stable. This is the key to the beauty of calligraphy.
57. First, look at the rules and layout. A good calligraphy work has appropriate spacing and density in composition and layout, and is natural and appropriate. The momentum between words and lines is coherent. Although the strokes are broken, the meaning is connected, giving people endless reverie and appeal.
58. This work is written with a soothing interest. Some stipples inadvertently meet the model gestures from time to time, and there are some wonderful moments of expressiveness, such as the hook of the character "Sheng" and the standing knife of the character "ze".
59. Calligraphy works are relatively static as creative results. When appreciating, you should follow the author's creative process, use the method of "moving your eyes", follow the order of the work (language, time), imagine the rhythm and intensity of the author's pen during the creative process, and the different changes in the author's emotions, and transform the still image into a static image. Reduced to the process of movement. That is to imitate the author's creative process and correctly grasp the author's creative intentions, emotional changes, etc.
60. If you know the quality of a work, you will know it at a glance. You don’t need to say it. But if you ask him to rate and comment on the level of a work and its various stages, it is not a simple matter. This person must have a certain level or knowledge. Guang is not an idle person
Comments on student calligraphy works
61. For example, European sports. After a long period of copying, speculation, and practice, I have gained a considerable understanding of basic strokes, the characteristics and structure of European style writing, and have mastered the techniques quite skillfully. I no longer feel like a baby when writing. He was babbling and learning the language very fluently.
62. Your recent homework has been a bit careless. I hope you can correct it as soon as possible.
63. My views may be different from everyone else’s, so I write them down to encourage everyone.
64. The first is technique, that is, the method used to write and the technique of writing. For example: techniques such as reverse strokes, back strokes, side strokes, slant strokes, empty strokes, reverse writing, etc. Many herringbones can be written very well, but they cannot be considered techniques. This is why many people can't become calligraphers if their handwriting is good. One of the reasons for home.
65. Secondly, whether the ink is used appropriately. In a good calligraphy work, as the rhythm changes, the shades of dry and wet ink also change in an orderly manner, which is reflected in the five colors of ink.
66. Most of the handwriting a student writes depends on whether it is standardized and the order of strokes is correct. I hope the handwriting written by a student is good-looking. There are many kinds of good-looking handwriting, including free and elegant style, regular regular script, and flowing cursive script. , and also has cute fonts. As long as the writing is not messy, I think everything is fine. Although the words are just like the people, students should pay more attention to the accumulation of knowledge.
67. Your homework embodies that you are a good kid who is smart, loves to read, works hard and is careful. The teacher believes that you will do better.
68. I am no longer satisfied with a certain style of writing, such as European style. After all, I am already very familiar with it. When I dabbled in other calligraphy styles, I found that a word could be written in this way or another. For example, regular script blended into the flavor of official script, and regular script blended into running script. A work has both regular script and running script; there are simplified and traditional scripts. , sometimes written in different ways, such as Su. In traditional Chinese, fish is sometimes written on the left and sometimes on the right. At this time, I found that the European style system I had established had been completely disrupted. When I wrote a word, it no longer looked like European style, but had the flavor of other styles. A very familiar skill. Becoming rusty!
69. The second stage: being able to write a certain style well.
70. Mom and dad like to see you writing and studying seriously.
71. The layout of the book is reasonable, the rows and rows are neat, the style is unified, the fonts are like iron paintings with silver hooks, and the stippling is smooth. It can be said that it is a new generation of modern conventional copybooks.
72. The layout is neat, the font size is uniform, the main strokes are prominent, and the stipples echo. It is worth learning from.
73. After partial appreciation, stand back and look at the overall situation from a distance, correct the "rough impression" obtained from the first viewing, and grasp it from a rational perspective again. Pay attention to whether the artistic expression technique and artistic style are consistent, what parts of the work are excellent and where there are shortcomings, and fully appreciate them from both macro and micro perspectives.
74. Structure is like a person’s height, curves, and proportions, which give people a good impression. The rules and regulations are like a person's clothes and grooming, which are neat and appropriate. Like it!
75. This formulation is a bit awkward. To put it simply, this sentence includes a review, and if written well in calligraphy, it is a conclusion. It seems to mean how to appreciate or comment on good calligraphy. How should one evaluate a work with "good calligraphy"? Since it is a good calligraphy work, of course I can only point out what is good about the work. Generally speaking, when reviewing works, teachers or calligraphers who are equivalent to teachers guide students' works before using the word "comment". It seems a bit nondescript to use the word "comment" for those excellent works. Because good works are for us to appreciate, and comments are meant to provide guidance. There is a difference between commenting or commenting and appreciation.
76. Third, calligraphy is the art of using ink. The artistic conception of the five colors of ink should be reflected in calligraphy works. The beautiful artistic conception of the work should be reflected through the thickness, lightness and dryness of the ink.
77. From the whole to the part, and then from the part to the whole.
78. The fourth stage: rising from technique to theory, creating a unique style and starting to pay attention to the theory of calligraphy history, calligraphy theory, and calligraphy techniques. I want to find out: Why do some calligraphers write like this, and some calligraphers write which way? Is there a rule to explain this phenomenon? With the gradual enrichment of knowledge, the confusion gradually faded away. Based on the calligraphy system I established, I combined various calligraphy methods and combined my own characteristics to form my own style.
79. After a period of study, the student's writing level has improved to a certain extent, but his application ability in writing is not enough. The basic strokes of writing and the writing of single characters need further efforts.
80. Practice the shield pen carefully
81. Our calligraphy class went very well. I hope the students can continue to work hard and learn calligraphy well.
82. Words are like people, and the words you write are as beautiful as your people.
83. The third stage: dabble in hundreds of schools of thought, from familiarity to proficiency.
84. The standard for regular calligraphy exhibitions is to be dignified, elegant and natural. Now that there are standards for judging calligraphy, the comments come one by one. Comrade, if you look at Mr. Zhang’s regular script works, the stippling resembles a person’s regular facial features and fair and bright skin.
85. Your recent homework, both in terms of quantity and quality, is the best! The teacher believes that you will continue to work hard and reach higher levels. Your spirit of diligent study is satisfactory and cannot be guaranteed by others. Keep up the good work!
86. Personally, I feel that when commenting on calligraphy, we should start from two aspects.
87. Restore the static image to the process of movement and develop associations.
88. The basic theory is solid, the professional knowledge is broad, there are no scientific errors in teaching, the details are appropriate, the layout is reasonable, and the writing is neat and standardized.
89. It may be strong or graceful, or it may be like a graceful beauty, or it may be like a vigorous and brave warrior, or it may be like the spring breeze blowing on the face with flowers blooming, or it may be like the north wind entering the pass, deep and cold.
90. You can evaluate from the aspects of tendons, bones, shape, meaning, composition, layout, etc. to find the highlights and draw more elements for your future creations.
Comments on student calligraphy works
91. This stage is like a baby that has just come into the world. Everything is new and everything is strange! It's very difficult for me to write and copy. I don't feel straight when I should, and I don't bend when I should. I feel powerless. But you can understand that this is calligraphy.
92. The writing is generous, the strokes are strong and generous, but not smooth enough.
93. The handwriting has a little personality and is bold and unrestrained, and needs improvement in all aspects.
94. The flowing clouds and flowing water, the pen with spirit, the flowers under the pen, are indescribably wonderful.
95. Secondly, calligraphy is an art that reflects life. A good calligraphy work incorporates the author's emotions and cultural qualities. Only through long-term training can the author perfectly display a beautiful work.
96. The first stage: first entering the door of calligraphy
97. College students performed very well in the hard-pen class. They left a deep impression on the teachers during the hard-pen class. The teachers are very satisfied with the performance of you college students in the hard-pen class. I hope you college students We must be serious and careful in the process of taking hard-tipped classes, so that we can get better results. You college students must work hard to improve your academic performance.
98. The brushstrokes are majestic and full of gestures. They are unintentional and the palms of the hands are forgotten, and they have the characteristics of infusing the most vitality.
99. For example, being honest, straightforward, bright, etc.
100. Your homework this time is really refreshing. The teacher sincerely makes you happy. I believe you will be able to help you in times of need in the future.
101. The ancient ink is lightly rubbed and filled with fragrance, and the new bath in the inkstone shines brightly.
102. Your handwriting has improved greatly compared to before, but it is still somewhat sloppy. Words are one person's storefront, I hope you can correct them.
103. Some things are technical. For beginners, the basics are all technical things. For example, there are always three waves in a horizontal line, which is not completely flat; it is as vertical as a long-lived withered vine, nor as straight as a stick, etc. Our beginner family generally follows these techniques. Come practice. What is Kung Fu? It is a person who has practiced for a long time, digested every slight difference, turned calligraphy into a natural behavior of oneself, and on this basis, combined with one's own personality characteristics, tempered it, and incorporated it into the process. Thinking, imagination, enlightenment and even wisdom cannot be imitated immediately by anyone else. Because this is the accumulation of time, the crystallization of thinking, and the fusion of wisdom.
104. In the future, I will perfect my calligraphy and absorb a large number of calligraphy elements to supplement it. The realm of Dao is not limited to calligraphy, but also insights in life, literature, philosophy, etc. They can all be incorporated into it. The fighting of cows, the gentleness of piano, the hardness and softness of water, the gracefulness of wicker in spring, the beautiful figure of a girl, etc. can all inspire your own calligraphy style.
105. The above is my personal opinion, I hope knowledgeable people can add to it!
106. The pen moves like a dragon or a snake, penetrates the wood three-thirds, and moves like clouds and flowing water.