Fountain-pen regular script copybooks should have correct fonts, clear strokes, and changes in the smoothness of the calligraphy. In other words, they should have calligraphy standards, artistic taste, and the unique beauty of the art of calligraphy. The strokes are as straight as matchsticks, and then they are piled or pieced together to form words. Although they can be piled up and pieced together in all kinds of strange ways, it is not a work of calligraphy art after all. So whose copybook is the best for practicing calligraphy?
15 Calligraphy Practice Copybook Recommendations on Calligraphy.com
1. Beginners should be especially careful when buying fountain pen copybooks. They must not take it lightly and just buy a copybook to copy and learn. Some beginners are eager to learn books and are eager for success. They buy copybooks when they see them and come to them when they are available. The result is counterproductive and money is wasted. If they learn bad copybooks and go down the wrong path, the problem will be big. If you have many ideas about which copybook to choose, or are hesitant or hesitant, you can ask a calligraphy teacher or experienced calligraphy classmates or friends for introduction and guidance, or you can entrust them to do it for you based on your current level and learning progress. Choose the right copybook. This can reduce blindness and avoid being fooled by bad copybooks.
2. The role of copybooks cannot be underestimated, and it is even more important for the majority of self-taught calligraphers. Learning calligraphy without copybooks is never a wise choice. When it is difficult to buy the ideal fountain pen regular script copybook, we can also buy a brush regular script copybook to copy. It turns out that this is an effective method. The author believes that using a pen to copy calligraphy in regular calligraphy is better than copying from ordinary calligraphy in regular calligraphy that can be purchased in the market.
The fountain pen cannot be used directly against calligraphy brushes in large regular scripts, so it is better to use calligraphy brushes against calligraphy books in small regular scripts. The editor below lists the famous Xiaokai calligraphy posts from past dynasties as a reference for those who want to learn calligraphy.
"Declaration Form" | Wei | Zhong Yao |
"Ronglu Biao" | Wei | Zhong Yao |
"Power Chart" | Wei | Zhong Yao |
"Reply the Notice" | Wei | Zhong Yao |
"Recommended Season Direct List" | Wei | Zhong Yao |
"On Joy and Yi" | Jin | Wang Xizhi |
"Huang Ting Jing" | Jin | Wang Xizhi |
"The Filial Daughter Cao E" | Jin | Wang Xizhi |
"Luo Shen Fu" | Jin | Wang Xizhi |
"Sutra on Human Parinirvana" | Northern Wei | |
"Great Wisdom Sutra" | Northern Wei | |
"Shuliezi" | Southern Qi | Xiao Ziyun |
"Dong Meiren's Epitaph" | Sui | |
"Su Xiaoci's Epitaph" | Sui | |
"Ling Fei Jing" | Tang | Zhong Shaojing |
"The Story of Ji An" | Yuan | Zhao Mengfu |
"Mr. Zhang's Epitaph" | Yuan | Zhao Mengfu |
"Laozi's Tao Te Ching" | Yuan | Zhao Mengfu |
"Luo Shen Fu" | Yuan | Zhao Mengfu |
"Execution as a Teacher" | bright | Zhu Yunming |
"Li Sao Jing" | bright | Wen Zhengming |
"Former Chibi Fu" | bright | Wang Chong |
Copiers can enlarge or reduce the ink of ancient and modern people, which is very convenient. There are photocopiers in most cities and towns in our country. Some people use photocopiers to reduce ancient people's large-script calligraphy books into small-script scripts, and then copy them with pens. The effect is very good. There are many large-script copybooks available for reduced copying. Here are some selected ones:
"Longzang Temple Monument" | Sui | |
"Thousand-Character Classics in Regular Script" | Sui | Jiyong |
"Zhang Heinv's Epitaph" | Northern Wei | |
"Zhang Menglong Monument" | Northern Wei | |
"Cuan Baozi Monument" | Eastern Jin Dynasty | |
"Cuan Long Yan Monument" | Liu Song | |
"Monument to Respect the Envoy" | Eastern Wei | |
"Confucius Temple Stele" | Tang | Yu Shinan |
"Duobao Beer" | Tang | Yan Zhenqing |
"Yan Qin Memorial Monument" | Tang | Yan Zhenqing |
"Magu Immortal Altar" | Tang | Yan Zhenqing |
"Ode to Dongfang Shuo's Paintings" | Tang | Yan Zhenqing |
"Stele Ode to Zhongxing" | Tang | Yan Zhenqing |
"Yan Family Temple Monument" | Tang | Yan Zhenqing |
"Mysterious Tower Stele" | Tang | Liu Gongquan |
"The Military Monument of Divine Strategy" | Tang | Liu Gongquan |
"Diamond Sutra" | Tang | Liu Gongquan |
"Jiucheng Palace Liquan Inscription" | Tang | Ouyang Xun |
"Huadu Temple Monument" | Tang | Ouyang Xun |
"Monument of Yu Gonggong" | Tang | Ouyang Xun |
"Huangfu's Birthday Monument" | Tang | Ouyang Xun |
"Master Daoyin Monument" | Tang | Ouyang Tong |
"Monument of Master Meng" | Tang | Chu Suiliang |
"Ni Kuan Praise" | Tang | Chu Suiliang |
"The Preface to the Holy Religion of the Wild Goose Pagoda" | Tang | Chu Suiliang |
"Yin Fu Jing" | Tang | Chu Suiliang |
"Stele of General Yunhui Li Sixun" | Tang | Li Yong |
"Lushan Temple Monument" | Tang | Li Yong |
"Stele of General Yunhui Li Xiu" | Tang | Li Yong |
"Zhu Juchuan's confession" | Tang | Xu Hao |
"Monument of Zen Master Guifeng" | Tang | Pei Xiu |
"The Story of Miaoyan Temple" | Yuan | Zhao Mengfu |
"The God of Fortune" | Yuan | Zhao Mengfu |
"Stele of the National Master of Danba" | Yuan | Zhao Mengfu |
Use a pen to directly copy calligraphy. These copybooks are very suitable for practicing hard-pen calligraphy. It is indeed difficult for beginners because the strokes of calligraphy have rich changes in thickness, square and circle, and hidden exposure. It is difficult to use a pen to copy them one by one. Show it. For these reasons, some publishing houses specially invite calligraphers who are proficient in both brush calligraphy and fountain pen calligraphy to use fountain pens to engrave famous monuments and inscriptions from past dynasties for publication. So friends can also buy it online.