Only By Comparing Wang Xizhi And Wang Xianzhi Can You Know The Truth Of Calligraphy Learning.

In recent years, I have spent a lot of time studying the handwriting of the two kings, and at the same time, I have also studied some opinions about their calligraphy. However, perhaps it is because the wording of these comments is too obscure and confusing; Or the pursuit of gorgeous and novel, and its meaning is not clearly defined, resulting in many people confused, always feel like a fish in the throat, not enough. Let me briefly talk about my learning experience and share it with you.

1. Wang Xizhi's brushwork is rigorous and rich, and his movements are complex and subtle, which is determined by his inner emotional cultivation and is difficult for ordinary learners to reach. As Sun Guoting said in the Book Score: "When the child is respected, it is necessary to drum up his strength and set an adult. It is not only useless, but also a person who looks separated."

2. Wang Xianzhi's brushwork is natural and fluent, concise and clear, guided by circumstances, and brilliant and natural. While showing its extraordinary talent, it shows that it has become skillful and fluent based on the shortcut of the right army calligraphy system, so it lacks preciseness, richness and subtlety in brushwork, and its aesthetic connotation is decreasing. Incidentally, Mi Fei, Zhao Mengfu, Dong Qichang, etc. after that, most of them further simplified their brushwork based on the two kings, making their books more simple, with clear features, stronger symbolic flavor and lower artistic taste.

3. The breath of Wang Xizhi's book is like the ghost of a gossamer. If you break a hair, your face will turn pale. Relatively speaking, Wang Xianzhi is leisurely, free and biased, but also somewhat ugly.

4. The so-called "Right Army" is restrained by the pen, so it is strict and has statutes. The big order uses the pen to expand and open the outline, so it is scattered and colorful. " In fact, this statement is not entirely true. Father and son use both brushwork. Or out of the pursuit of smooth and natural style, Zi Jing used more outreach.

Here, what I want to say is that to really learn Wang Xizhi's calligraphy well, besides hard training, you must read more good books, supplement your own cultural accomplishment and cultivate rich and delicate emotions. Otherwise, you can't catch the breath in his works, and you can't create such elegant works without the original post. Relatively speaking, you can work hard on your proficiency in learning Wang Xianzhi. Of course, without extraordinary potential and fluent thinking, you really or simply can't learn the essence of Erwang's calligraphy.

Many people and I have also discussed the emotional background of describing Wang Xizhi's different books in Sun Guoting's Book Score. Some people seem to disagree with the statement that calligraphy can "reach its feelings and form its sorrows and joys", thus thinking that Sun Guoting's so-called "writing Le Yi is full of emotions, while the book" Painting Praise "is full of wonders, while" Huang Ting Jing "is full of nothingness, and" Tai Ting Jing " And almost Lanting Xing Ji, thinking of ease is superb; I swear in private, and my feelings are miserable. " The statement is just a long speech. In this regard, I can only keep my own views.

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