"Chunhua Pavilion Calligraphy" was compiled and published in 992 AD by Zhao Guangyi, the second emperor of the Northern Song Dynasty during the reign of Song Taizong. It is the first large-scale collection of famous calligraphy calligraphy in Chinese history. It was compiled and engraved in the third year of Chunhua, so it is Named "Chunhua Pavilion Tie". "Chunhua Ge Tie" is the oldest collection of Tie that has been handed down to this day, and is known as the "Bible" in the history of Chinese calligraphy.
In the third year of Chunhua in the Song Dynasty (992), Emperor Taizong Zhao Jiong ordered the ink ink from all dynasties stored in the inner palace to be taken out, and ordered the Hanlin scribe Wang to compile and copy the ink on the stone in the forbidden area, which was named "Chunhua Pavilion Tie". This post is also known as "Chunhua Secret Pavilion Fa Tie", referred to as "Ge Tie", and is a collection of posts, with a total of ten volumes. The first volume contains the writings of emperors of past dynasties, the second, third and fourth volumes contain the writings of famous ministers of past dynasties, the fifth volume contains the ancient texts of various families, the sixth, seventh and eighth volumes contain the writings of Wang Xi and the ninth and tenth volumes contain the writings of kings. Zhao Mengfu of the Yuan Dynasty wrote in "Songxuezhai Collected Works and Postscripts to the Pavilion": "Taizong of the Song Dynasty... During the Chunhua period, he ordered the Hanlin Shishu Wang to write the books. He purchased the books from the Three Dynasties to the Tang Dynasty, compiled them into ten volumes, and copied them in the secret pavilion. He gave them to the clan, A copy was given to the ministers. When the ministers came to the second house, they asked for the ink copy as a gift. Later they stopped giving it because they were especially valuable in old times." This post was recorded as a woodblock engraving in the Song Dynasty, and was initially made with "Chengxintang paper" and "Li Tinggui ink". , no rubbings of this kind have been circulated. The Chunhua Pavilion Tie is the earliest collection of Tie dynasties in my country. Due to Wang's poor identification of the Tie dynasty, the authentic and fake Tie dynasties were mixed and disordered. However, "engraved collections are particularly beautiful and rich", and the imitation is lifelike, which is the basis for the spread of calligraphy from our ancestors. This post is known as the "ancestor of Dharma posts" and has a profound influence on future generations.
Because the inscription stone was lost early, there were many copies and reprints. Gu Congyi's version, Pan Yunliang's version, and Sufu's version are more famous.
The Imperial Palace Museum collects rubbings from the Southern Song Dynasty, bearing seals such as "Treasure of the Emperor Qianlong's Imperial View" and "Maoqin Hall Appraisal Seal". It is cut and mounted on white paper, with black ink rubbings on hemp paper. The size of each page is 25.1cm in length and 13.1cm in width. At the end of each volume is the seal script inscription "On November 6, the year of Renchen in the third year of Chunhua, I was ordered to imitate the stone", which is rare in its entirety.
It was recorded in "Bao Ke Cong Bian" by Chen Si of the Song Dynasty, "Chunhua Secret Pavilion Fa Tie Kao" by Wang Shu of the Qing Dynasty, and "Cong Tie Mu" by Rong Geng.
During the Qingli period of Emperor Renzong of the Song Dynasty, there was an accidental fire in the palace. Unfortunately, all the original Zao wood rubbings of "Chunhua Pavilion Tie" were burned. Therefore, the early rubbings were extremely precious and were regarded as treasures and priceless.
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