Fu Shan'S Most Complete Calligraphy "Double Life Poetry Scroll" And Other 8 Works: Large And Thick Ink, Winding Vertically And Horizontally
09/01/2024
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① Fu Shan’s calligraphy style: large strokes of thick ink, winding vertically and horizontally
Fu Shan's main calligraphy form is mainly cursive script
Especially the long stretches of grass,
This was known as a masterpiece in the late Ming and early Qing dynasties.
This style of calligraphy obviously adheres to the artistic spirit of "getting rid of the constraints of techniques and focusing on the expression of personality" since the late Ming Dynasty, and has developed it to an extreme.
Compared with Wang Duo, both Fu Shan and Wang Duo studied Mi Fu's calligraphy and followed the path of calligraphy, but they are obviously different.
Because Wang Duo's rules are relatively strict, but Fu Shan doesn't follow the rules from stipples and shapes to the chapter structure and layout.
They are all written naturally and spontaneously, with large strokes and thick ink, and are drawn vertically and horizontally. It is a manifestation of the strength of the crazy and unruly character.
② "Double Life Poetry Scroll" in cursive script by Fu Shan
This article is relatively well-regulated.
③ Fu Shan’s cursive script
It is obvious from this article that it was written casually and casually in an extremely natural situation.
Of course, every stroke he made was in accordance with the cursive method, not random writing.
Fu Shan left behind many masterpieces because he was good at cursive, official and seal scripts, but he had the most cursive scripts.
④Fu Shan's official script "Four Screens"
⑤ Fu Shan’s cursive calligraphy “The seven unique vertical scrolls of crimson snowflakes blooming”
⑥ "Qi Jue Poetry Screen" in cursive script by Fu Shan
Collected in Shanghai Museum
Fu Shan’s cursive calligraphy loops continuously,
It’s different from Zhang Xu and Huai Su, the two crazy writers of the Tang Dynasty.
This characteristic of his is "Gossamer"
(The strokes that are not involved between the main strokes are called hairsprings),
It’s no longer possible to tell the difference between Fu Shan’s main pen and the hairspring.
It’s the same. Not many people write this kind of calligraphy nowadays.
It’s easy to write vulgarly like this.
⑦ Fu Shan’s masterpiece of running script "Danfeng Pavilion Tie"
⑧ Fu Shan's "Five Character Poems and Seal Script Scroll"
Seal script is not that regular either.
⑨ Fu Shan's regular script poems
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