A Review Of Literature On Chu Suiliang’s Calligraphy Research

references:

[1] "New Book of Tang" by Ouyang Xiu and Song Qi, Zhonghua Book Company, 1975.

[2] "Old Tang Book" Later Jin Dynasty, Liu Yu, Zhonghua Book Company, 1975.

[3] "Preface to the Holy Religion of Yanta Pagoda" by Mi Youren, see Ji Fukun's "Collection of Chinese Calligraphy" Jiangsu Fine Arts Publishing House, 2000.

[4] Zhu Changwen of "Mochi", see Ji Fukun's "Essays on Chinese Calligraphy" Jiangsu Fine Arts Publishing House, 2000.

[5] "Book of Jin" Tang Fang Xuanling et al. Zhonghua Book Company 1974.

[6] "Chu Lin Huang Silk Edition Orchid Pavilion Preface and Postscript" Mi Fu collected by the Palace Museum, Beijing.

[7] "The Complete Book of Chinese Painting and Calligraphy" edited by Lu Fusheng? Shanghai Painting and Calligraphy Publishing House, 2000.

[8] Pingshu "Selected Continuations of Calligraphy Essays in Past Dynasties" by Su Shi, Shanghai Painting and Calligraphy Publishing House.

[9] "Shu Lin Zao Jian" Ma Zonghuo Cultural Relics Publishing House.

[10] "Selected Papers on Calligraphy of the Past Dynasties" (Bei Bei Nan Tie Lun) Ruan Yuan, Shanghai Painting and Calligraphy Publishing House.

[11] Guangdong Yatang Series, Volume 3, Episode 28 [Qing Dynasty] Wu Chongyao compiled Nanhai: Wu family, during the reign of Daoguang and Guangxu in the Qing Dynasty (1821-1908) Mo Yuanhui Guanlu: Volumes 367-370 of four volumes.

[12] "Opinions on the Abnormal Phenomenon of the Preface to the Holy Religion of the Wild Goose Pagoda" Feng Yuchun, Youth Calligraphy News, Issue 19, 2010.

[13] "Appreciation of Calligraphy Treasures (Second Series): Chu Suiliang". Baihe, Hunan Fine Arts Publishing House, 2007.

[14] "Records of the Preface to the Sacred Religion of the Wild Goose Pagoda" Orin Arakane, (Japan) Keiteru SHO Publishing Department, 2003.

[15] "Journal of Nanjing University of the Arts (Art and Design)" Li Mengyuan 2014.

[16] Chinese Calligraphy·Calligraphy Techniques September 2017, 314 issues in total.

[17] "The First Collection of Series Collection" Lou Yao. Gong Wei Collection, Commercial Press, 1935.

[18] "The Complete Works of Chinese Calligraphy" by Chu Suiliang, edited by Liu Zhengcheng and published by Rongbaozhai in 1999.

[19] "Illustrated Book of Chinese Dharma Books" edited by Liu Chuanxi, Peng Xinglin, and Chen Minjie, Shandong Fine Arts Publishing House, 2013.

Note:

[1] Song Ouyang Xiu and Song Qi: "Changsun Wuji" in Volume 105 of "New Book of Tang", Zhonghua Book Company, 1975, page 4020.

[2] Later Jin Dynasty Liu Yu: "Old Tang Book" Volume 80 "Chu Suiliang" Zhonghua Book Company, 1975, page 2730.

[3] Mi Youren: "Preface to the Holy Religion of the Wild Goose Pagoda" can be found in Ji Fukun's "Essays on Chinese Calligraphy" Jiangsu Fine Arts Publishing House, 2000, page 475.

[4] Zhu Changwen: "Mochi Compilation" can be found in Ji Fukun's "Compilation of Chinese Calligraphy", Jiangsu Fine Arts Publishing House, 2000 edition, page 476.

[5] Tang Fang Xuanling and others: "Book of Jin" Volume 80 "Wang Xizhi" Zhonghua Book Company, 1974, page 2108.

[6] Mi Fu: "Chu Lin Huang Silk Edition Orchid Pavilion Preface and Postscript" Collection of the Palace Museum, Beijing.

[7] Volume 1 of "Illustrated Book of Chinese Dharma Books" edited by Liu Chuanxi, Peng Xinglin, and Chen Minjie. Jinan: Shandong Fine Arts Publishing House, 2013, page 44.

[8] "Notes on Dong Qichang's Calligraphy" Beijing Ancient Books Publishing House, 1993, pages 181 and 182.

[9] "Illustrated Book of Chinese Dharma Books" Volume 1, edited by Liu Chuanxi, Peng Xinglin, and Chen Minjie, Shandong Fine Arts Publishing House, 2013, page 44.

[10] Volume 1 of "The Complete Book of Chinese Calligraphy and Painting" edited by Lu Fusheng? Shanghai Painting and Calligraphy Publishing House, 2000, page 782.

[11] Volume 1 of "The Complete Book of Chinese Calligraphy and Painting" edited by Lu Fusheng? Shanghai Painting and Calligraphy Publishing House, 2000, page 783.

[12] Volume 1 of "The Complete Book of Chinese Calligraphy and Painting" edited by Lu Fusheng? Shanghai Painting and Calligraphy Publishing House, 2000, page 783.

[13] Su Shi's Pingshu "Selected and Continued Collection of Calligraphy Essays from Past Dynasties" edited and edited by Cui Erping, Shanghai Painting and Calligraphy Publishing House, 1993.

[14] Ma Zonghuo: "Shu Lin Zao Jian" Cultural Relics Publishing House, 1984.

[15] Ruan Yuan: (On Beibei Nantie Lun) "Selected and Continued Collection of Calligraphy Papers from Past Dynasties" edited and edited by Cui Erping, Shanghai Painting and Calligraphy Publishing House, 1993.

[16] Volume 28 of the third volume of the Yue Ya Tang Series [Qing Dynasty] compiled by Wu Chongyao, Nanhai: Wu family, during the Daoguang and Guangxu years of the Qing Dynasty (1821-1908) Mo Yuanhui Guanlu: Volumes 367-370 of four volumes.

[17] Feng Yuchun: "Opinions on the Abnormal Phenomenon of the Strokes in the Preface to the Holy Religion of the Wild Goose Pagoda", Youth Calligraphy News, Issue 19, 2010.

[18] Bai He: "Appreciation of Calligraphy Treasures (Second Series): Chu Suiliang", Hunan Fine Arts Publishing House, 2007.

[19] Arakane Dalin: "Record of the Preface to the Sacred Religion of the Wild Goose Pagoda", (Japan) Keiteru SHO Publishing Department, 2003.

[20] Li Mengyuan: "Journal of Nanjing University of the Arts (Art and Design)" 2014.

[21] Chinese Calligraphy·Calligraphy Techniques September 2017 Total Issue 314 Page 152.

[22] Lou Yao. Gong Wei's Collection, "The First Collection of Series": The Commercial Press, 1935.

[23] Wang Keyu. Coral Net, "The Complete Book of Chinese Painting and Calligraphy" (Volume 5) edited by Lu Fusheng. Shanghai Painting and Calligraphy Publishing House: 1992.

[24] "Complete Collection of Chinese Calligraphy" edited by Liu Zhengcheng: Volume by Chu Suiliang, published by Rongbaozhai in 1999.