Fu Shan(1607-1684)Du Fu's "Xu Bu" in cursive script
Vertical scroll, ink on Ayamoto, 206×51cm
publishing:
Volume 1 of "Dong Xuezang's Calligraphy and Painting Manual", page 18, Bowen Hall, 1928.
illustrate:
1.Formerly collected by Kuno Motoyoshi and Saito Etsu, inscribed and boxed by Naito Tora.
2.Saito Etsu, nicknamed "Dong Zhu", is a powerful collector of Chinese calligraphy and painting in Japan. He is as famous as Fusajiro Abe, Riichi Ueno, Mutsuki Ogawa, Zensuke Fujii, and Kaiichiro Nezu. Dong Yuzang's Calligraphy and Painting Book", Naito Tora and Luo Zhenyu were invited to examine it, and Ise Senichiro explained it.
3.Kuno Motoki (1875-?) was a wealthy man in Hiroshima, his nickname was Nishikiura, and he was also signed "Huang Shangyi". He was born in a noble family in Mihara Town, Hiroshima Prefecture. When Luo Zhenyu and Wang Guowei were living in Kyoto, Kuno Motokichi served as the general manager of Seibi Bank and was a well-known figure in the local business community. Luo Zhenyu once specially carved a "Huang Shang Yi" seal for Kuno Motoki (with the margin "Mr. Jinpu is a righteous man, and his uncle's words imitate the Han Dynasty") as a gift.
4.Naito Tora is Naito Hunan (1866-1934). His real name is Torajiro, and his courtesy name is Bingqing. His nicknames are Yi Ren Haizhu, Hunan Oulou, and Mr. Mengmeng Mengmeng. He is one of the founders of Japanese Chinese Studies and Oriental History. His research fields are broad, covering ancient, medieval, and modern Chinese history, as well as general Chinese cultural history, historiography, and art history. Naito Hunan visited China ten times and Europe once in his life. During his travels in South and North China, he made friends with Yan Fu, Wen Tingshi, Zhang Yuanji, Shen Zengzhi, Ke Shaobin, Wang Guowei, Luo Zhenyu, Liu E and others through face-to-face meetings and written conversations. There is "The Complete Works of Naito Honan".
5.Comes with wooden box.
Photo of publication page of "Dong Yuzang's Calligraphy and Painting Book"
Naito Tora question box and question mark
Statue of Fu Shan
"Portraits of Scholars in the Qing Dynasty" edited by Ye Yanlan and illustrated by Huang Xiaoquan
Fu Shan has made great achievements in calligraphy. He started to learn Zhao Mengfu and Dong Qichang, and he could almost fake the real ones. He highly praised Yan Zhenqing's character and calligraphy. There are many large-character couplets and list books in Yan's style that have been handed down to this day. They are dignified, vigorous, vigorous and powerful.The calligraphy art theory of "Four Nings and Four Won's" proposed by Fu Shan is extremely insightful.:
"Better clumsy than skillful, better ugly than charming,
It is better to be disjointed than to be slippery, and to be honest and forthright than to make arrangements.”
The proposal of "Four Nings and Four Nos" has universal guiding significance and far-reaching influence on the entire art of calligraphy..
Part of Du Fu's "Xu Bu" in cursive script by Fu Shan
This vertical scroll is ink and wash on damask, 206 cm high and 51 cm wide. It is a five-character poem "Xu Bu" written by Du Fu, a poet of the Tang Dynasty, recorded by Fu Shan. It is not dated and the specific writing time is unknown. It is inscribed: "Zhenshan" and has "Fu Shan's seal" on the bottom.Judging from the calligraphy style, it must be Fu Shan's middle and late works..
Part of Du Fu's "Xu Bu" in cursive script by Fu Shan
The calligraphy of this work is vigorous and fast, with coherent charm, graceful and graceful, unrestrained and extraordinary, like a river flowing thousands of miles, with heroic momentum. There seems to be some clumsiness in the writing style, but the writing style is within the standards. The emphasis on the winding hairspring makes the contrast between words and words, strokes and strokes particularly clear. During this period, the stipples are round, majestic, thick ink and heavy strokes, and the brush strokes contain the power of a thousand and other artistic techniques.Fu Shan's men used it very skillfully, as if they were inadvertently. His sincere emotions and ups and downs of tactics fully demonstrated his broad and profound mind.. The arrangement of the composition is unique and innovative. The word spacing and line spacing are uneven and dense, and the opening and closing are intricate. The unity is seen in the changes. The realm of calligraphy and Du Fu's poetry are unified in content and form, which shows his temperament and skill.
Part of Du Fu's "Xu Bu" in cursive script by Fu Shan
In this scroll, there are sages in poetry, some with stirring writing, some inspiring, and some clumsy. The poet Du Fu lived in the historical period of the Tang Dynasty from prosperity to decline. His poems mostly dealt with social turmoil, political darkness, and people. Suffering, his poems reflected the social contradictions and people's suffering at that time. This poem is called "the history of poetry", andFu Shan is famous all over the world for his twists and turns of cursive script. He used cursive script to express his liberated, aloof and rebellious character. After the fall of the Ming Dynasty, he became a monk and became a Taoist, and he never served in the new dynasty. Fu Shan's calligraphy has the purpose of being a mainstay and turning the tide., he hopes that the poems and calligraphy he writes can inspire the descendants of Yan and Huang to work hard; he is willing to be a stone from other mountains that can attack jade, and looks forward to the true awakening of the nation.
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