Calligraphy Issues - Page 2 - Chinese Calligraphy

Wang Xianzhi's calligraphy is not even comparable to these three Japanese, because they learned Wang Xizhi's strength

上篇《提高书法欣赏水平，就是学会欣赏王羲之，不喜欢王献之的过程》，说唐太宗的观点：学习书法，要求其骨力，有骨力形势自生。唐太宗还认为：王羲之的字最有骨力，旷观古今，堪称尽善尽美；而王献之的字很媚！不入流。　　　　《丧乱贴》为代表的骨肉停匀型作品　　释文：羲之顿首：丧乱之极，先墓再离荼毒，追惟酷甚，号慕摧绝，痛贯心肝，痛当奈何奈何！虽即修复，未获奔驰，哀毒益深，奈何奈何！临纸感哽

Calligraphy Issues 15/01/2024 129 Views
[Appreciation of Famous Products] "Chunhua Pavilion Notes" by Wang Xianzhi of the Eastern Jin Dynasty (with explanatory text)

《淳化阁帖》是公元992年中国北宋第二位皇帝宋太宗赵光义在位时组织编集刊印的，是中国历史上第一部大型名家书法集帖，编刻于淳化三年，故名《淳化阁帖》。《淳化阁帖》是流传至今年代最久远的一部丛帖，被誉为中国书法史上的“圣经”。宋淳化三年（992年），太宗赵炅令出内府所藏历代墨迹，命翰林侍书王著编次摹勒上石于禁内，名《淳化阁帖》。此帖又名《淳化秘阁法帖》，简称《阁帖》，系汇帖，共十卷

Calligraphy Issues 15/01/2024 95 Views
Ten cursive posts (Daguan posts) under the name of Wang Xianzhi in Jin Dynasty with explanatory notes.

Ten cursive scripts under Wang Xianzhi's name (Daguan Post) explanations (1) Jiangzhoutie I should entrust Huan Jiangzhou to help you, and I can't distinguish between sending people

Calligraphy Issues 15/01/2024 96 Views
Wang Xianzhi Luo Shen Fu Thirteen lines Explanation (Wang Xianzhi Xiaokai Luo Shen Fu thirteen lines)

1. Background Wang Xianzhi was a famous calligrapher, painter and poet in the Southern Dynasty of China. His Ode to the Goddess of Luo is a classic work in the history of ancient Chinese literature.

Calligraphy Issues 15/01/2024 99 Views
Wang Xizhi's famous calligraphy calls and their explanations

1、王羲之书法名帖及其释文1频有哀祸帖摹本，纸本。纵 26.9 厘米。 3 行，20 字。行书。字间倾侧、俯仰、钩连，笔画轻疾、圆转、牵引，结体多有取横势者。释文频有哀祸，悲摧切割，不能自胜，奈何奈何!省慰增感。1.1 王羲之孔侍中帖摹本，纸本。纵 26.9 厘米。 6 行， 42 字。行书。释文 :九月十七日羲之报：且因孔侍中信书，想必至。不知领军疾后问。忧悬不能须臾忘心，

Calligraphy Issues 15/01/2024 100 Views
"Long Live Tongtian Tie" complete works with explanatory text

《万岁通天帖》又称《王羲之一门书翰》、《王氏宝章集》。唐万岁通天二年（公元697年），女皇武则天向王羲之的后辈凤阁侍郎王方庆征集王羲之墨迹，（《旧唐书》列传第三十九记载:"则天以方庆家多书籍，尝访求右军遗迹。方庆奏曰:"臣十代从伯祖羲之书，先有四十余纸，贞观十二年，太宗购求，先臣并已进之。唯有一卷见今在。又进臣十一代祖导、十代祖洽、九代祖珣、八代祖昙首、七代祖僧绰、六代祖仲宝

Calligraphy Issues 15/01/2024 85 Views
Appreciation of Wang Xianzhi's cursive calligraphy rubbings of "Zhu She Tie"

转自今日头条：纆缘閣，版权归原作者《诸舍帖》拓本。2行，20字。草书。入刻《淳化阁帖》。释文：诸舍复如与何?吾家多患忧。面比问，慰情，不知可耳。此帖草书，笔势连贯，笔画不若王羲之那样主侧势。转折处，转笔多而折笔少。所以殊少骨力，正所谓“骨势不及父，而媚趣过之，”献之草书之妍，于此帖可晓大概。《宣和书谱》卷第十六王献之行书目著录《诸舍帖》帖目。《绛帖》卷七、《大观帖》卷九、《东书堂帖》卷八

Calligraphy Issues 15/01/2024 92 Views
Qi Xiaochun | Miscellaneous Textual Research on Wang Xianzhi's "Tie of Conferring Clothes"

王献之《授衣帖》杂考--兼论王氏一族的“五世亲尽” 　　文 ˉ 祁小春　　【内容摘要】本文以实证考据方法，从各个方面详细讨论了王献之著名法帖《授衣帖》及其相关问题。根据考察的结果得出如下意见：第一，《授衣帖》是出自王献之手笔的书帖。第二，《授衣帖》源于梁御府法书旧藏，由来有绪，真实可靠。第三，王献之《授衣帖》诸帖中均出现了避讳字“政”字，这为证明王氏一族遵循“五世亲尽”提供了极为重要的证据

Calligraphy Issues 15/01/2024 89 Views
Only by comparing Wang Xizhi and Wang Xianzhi can you know the truth of calligraphy learning.

In recent years, I have spent a lot of time studying the handwriting of the two kings, and at the same time, I have also studied some opinions about their calligraphy. However, perhaps it is because

Calligraphy Issues 15/01/2024 86 Views
Explanation of Wang Xianzhi's Nine Postscripts in Cursive Script (Daguan Poste)

标签：王献之,大观帖王献之名下草书九帖(大观帖)释文：（一）江州帖吾当托桓江州助汝，吾此不辨得遣人船迎汝。当具东改（次）枋三四。吾小可者，当自力无湖迎汝。故可得五六十人小枋。诸谢当有，有便是见。今当语之，大理尽此。信可一一（具）白。胛痛可堪。而比（以）作书纪（殆）若不可识。标签：王献之,大观帖（二）疾不退帖疾不退，潜处当日深。岂可以常理待之。此岂常忧忧。不审食复何如

Calligraphy Issues 15/01/2024 113 Views

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