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Lecture on the technical and artistic analysis of seal cutting
Lecturer:Ni Wendongteacher
Format: fiv Capacity: 1.95G Resolution: HD
Ni Wendong, born in 1957, is from Huangling, Shaanxi. Graduated from the Chinese Department of Northwest University in 1982. Engaged in calligraphy teaching, creation and research for more than 30 years. He teaches courses such as Introduction to Calligraphy, History of Chinese Calligraphy, Calligraphy Creation, Seal Script Theory and Practice, Seal Cutting Theory and Creation Practice, Introduction and Practice of Cursive Script, Calligraphy and Decoration Design, and Computer Art. He has edited and published more than 30 books, teaching materials and large-scale reference books, including "Dictionary of Seals of Chinese Calligraphers and Painters in the 20th Century", "Chinese Seal Cutting Dictionary", "Introduction to Calligraphy Creation", "Introduction to Calligraphy", and "Seal Cutting Copying and Appreciation Dictionary". He has published more than 30 papers, which won the second prize at the 6th National Calligraphy Theory Symposium.
The art of seal cutting is the art of combining calligraphy (mainly seal script) and engraving (including chiseling and casting) to make seals. It is a unique art form of Chinese characters. Seal cutting arose in the pre-Qin Dynasty, flourished in the Han Dynasty, declined in the Jin Dynasty, failed in the Tang and Song Dynasties, revived in the Ming Dynasty, and flourished in the Qing Dynasty. It has a history of more than 3,700 years.
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