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Cursive calligraphy video tutorial lecture
Lecturer: Teacher Bai Di
Format: avi Capacity: 28.4G Resolution: HD
Teacher Bai Di is from Shanyin. He is currently a professor and doctoral supervisor in the Calligraphy Department of the China Academy of Art, a visiting professor at the Lu Xun Academy of Fine Arts and the Shandong University of the Arts, a member of the Academic Committee of the Chinese Calligraphers Association, a member of the Zhejiang Provincial Federation of Literary and Art Circles, the vice chairman of the Zhejiang Provincial Calligraphers Association, and the president of the China Academy of Art Branch of Jiusan Society. Committee member, member of Xizhuan Printing Society. He has published thousands of calligraphy works, participated in hundreds of large-scale exhibitions at home and abroad, and held 16 solo exhibitions.
Published monographs include: "Theory of Calligraphy Space", "Analysis of Wang Xizhi's Calligraphy", "The Art of Bai Di's Calligraphy", "Collection of Bai Di's Small Regular Patterns", "Chinese Calligraphy Art Illustration", "Han Zhang Qian's Stele and His Brushwork", "Bai Di's Calligraphy Art" "The Essence of Ancient Calligraphy" and more than 10 kinds, and published dozens of academic papers. His works have been exhibited and won awards in many domestic exhibitions.
As the first generation doctor of calligraphy, Bai Di's achievements today are all due to his love and diligence for calligraphy. In 1987, Bai Di was admitted to Zhejiang Academy of Fine Arts and became a master's student under Sha Menghai and other tutors. After that, he became Mr. Zhang Zuan’s doctoral student. Bai Di's understanding of calligraphy does not stop at "writing beautiful words". Bai Di believes that calligraphy is not just that, it carries the Chinese people's profound understanding of nature and life, and is an art that carries the "Tao". Bai Di has his own unique understanding of the relationship between calligraphy and modern times. He said that both ancient and modern people say that calligraphy is innovative, but the essence of calligraphy will not change. The "tradition" and "modernity" of calligraphy are by no means contradictory. She is the same river, either gentle or turbulent. Only when the source is sufficient and the river channel is smooth can it avoid drying up and dying.
As one of the most eye-catching calligraphers in the field of creation in the new era, Bai Di has been reclusive since he studied for a doctorate in 1996, contrary to his previous aggressive style, and devoted himself to research and exploration. He has successively written: "The Theory of Calligraphy Space", "Style Criticism of Calligraphy Masters of the Past Dynasties", "Analysis of Wang Xizhi's Works", "Chinese Calligraphy Art Illustration", etc.; in terms of creation, following "The Art of Calligraphy of Bai Tu", he published " The results of Bai Di's collection of small regular scripts and "Two Types of Bai Di's Cursive Script" can be said to be gratifying. It is this down-to-earth style and the spirit of exploration without hesitation that make Bai Di's works stand out in the crowded calligraphy and painting collection market and become the treasured objects of knowledgeable collectors.
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