Qigong's "Selected Collection of Taibai Poems", 72cm in width and 28cm in length. Mr. Qi Gong is a famous scholar in China, and his calligraphy is also unique in contemporary China, with its own language symbols. From him, we can not only learn extensive and profound calligraphy knowledge, but also learn the principles of doing things and being a human being.
As a traditional calligrapher, Qi Gong has many handed down works, so his influence on the modern calligraphy world is relatively large. Looking back on Qigong's life, we find that Qigong not only covered a wide range of traditional fields, but also conducted in-depth research. He can be said to be a representative of traditional literati calligraphers.
Ideologically, as an old-style calligrapher, Qigong was immersed in feudal traditional culture when he was young. However, he was able to emancipate his mind and establish a set of calligraphy thoughts of "learning from the ancient but not imitating the ancient". Based on practice, he corrected the previous figures. The fallacies in the theory also try to avoid the mysterious feeling of "forgetting to say something with pride" in the works of the predecessors, making the style of his writing significantly different from that of traditional literati in the feudal era.
In terms of connotation, Qi Gong's characters have the charm of green plums, and are as looming as swimming dragons, with a beauty that combines freshness and mystery; in terms of scholarship, Qi Gong regards characters as the foundation of calligraphy and books as the second nature. , and believes that characters are the "ontology" of calligraphy. Because of this, he pays special attention to philology and the development and evolution of characters. His profound foundation in traditional culture is difficult to match among contemporary calligraphers.
Today, when calligraphy is becoming "literary" and becoming "artistic", there is such a master calligrapher who can make calligraphers realize that they have not read enough and have not experienced enough, so they can spontaneously make up for their shortcomings; there is such a person Calligraphers tell us not to be swayed by external objects when learning calligraphy, but to meditate, integrate spirit and action, and realize the beauty of calligraphy. Calligraphy innovators should also look back to see whether they have grasped the essence of calligraphy, or whether they have scratched the surface. , to no avail.
