When writing small regular script, you must use great force to press the pen against the paper, just like using an iron rod worth a thousand gold (jin) to support the ground. If it is said that small characters do not require gravity and can be erratic and embellished, it is convenient to use this technique to tell dreams. Huang Ting Sutra has been written for thousands of times, using a round edge, the pen is fragrant and powerful, and the wrists are moved wholeheartedly. The shoulders and back are used to support the circulation of muscles and bones. For a long time, they surged from the right Tianzhu, and then they can describe the extraordinary changes.
It is not difficult to write small regular script in waves, but it is especially difficult to draw it down, and it is also difficult to engrave it. Those who calligraphy and writing in this way are all left idle.
Fu Shan's "Excerpts from the Heart Sutra" in small regular script
The only thing when writing is not to be arrogant, to draw one stroke at a time, to be smooth and steady, and to have a good structure. Jingguang is good at calligraphy, and the few pieces of paper he collected from Wuba were all done with great care and diligence, and it was a pity that he died. Jingguang learned this brushwork quite a lot, and he is more green than orchid.
There is no skill in writing, only clumsiness. The miraculous births of the positive pole turn into great skill and clumsiness. If you don't believe it, just have an idea before you start writing. I want to make the character look like this, and the structure of the meaning will be exactly the same after it is formed. You can also know that Tian Ni cannot be artificial in this. Skilled hands are capable, and the words are clear. Forty years ago, Wang Duo tried his best to create his own characters, but forty years later, he had no intention of cooperating with the production, so he was able to make everyone happy.
Fu Shan's "Wei Yingwu's Wing Chun Snow Poems in Running Script"
I disliked Zhao Zi'ang very much, and I despised him, so I hated his book. Looking closely at it, there is nothing wrong with it. It is mature and graceful, but it is naturally humble. It is smooth and round, and it is still in the right vein. The cover changed slightly from the Orchid Pavilion to this point. It changes with the times and is also determined by luck, not just the article.
I know very well that in the beautiful state of calligraphy, those who first want to do this but cannot do so are because the subject, hand, paper, and pen are at odds with each other. Those who expect to do this and are able to do so are workers. He who did not expect this but could do so is God. Every line has its own destiny, every word has its own destiny. When the spirit arrives, the pen arrives, which is heaven; when the pen does not arrive, but the spirit arrives, it is heaven. Whether it arrives or not depends on God. What can I say? It's hard to say.
Regular script does not come from Seal Script, which means it is not as slave-like as it should be. This idea can be obtained immediately by Laosuo, and it will be clear when you are in a hurry. The so-called eight points of seal script and official script are not only about the form, but also about the vivid transitions of the writing. All the vulgar characters are arranged by manpower, but the natural beauty of heaven is lost through arrangement. According to his ancient seal script writing, I don't know how to arrange it. If it is too scattered, I can't organize it on my behalf. There is no beauty in writing without change, but change is not easy to come by. If you don't enter rightly, you can't change. But if you can enter it correctly, you won't have the air of being a slave and a vulgar person. However, if the pen is not familiar, it will not be effective, and it is taboo to be obscene, but if it is familiar, it will be close to obscenity. The mind is upright and the body is upright, and calligraphy is good at shooting. Mr. Zhong didn't know about Yuanyang's shot. This is the way of not being obscene and must be unknown.
Excerpts from Fu Shan's "Four Body Book"
When I was eight or nine years old, I came to Yuanchang. It was different. Shao Chang, such as Huang Ting, Cao E, Le Yi Lun, Dongfang Zan, Thirteen Lines of Luo Shen, and even Breaking Evil, are everywhere, and none of them are similar. Finally, I wrote about Lu Gong’s family temple and got a few details about it. Then he came to fight for a seat in the early morning, and he wanted to imitate it. Then he came to Orchid Pavilion. Although he couldn't see his expression, he gradually wanted to know the outline of this technique. When I was old, I couldn't write regular script, but when I came to Huang Ting, I said that I was very careful, and when I was about to write, I went back thousands of miles.
Fu Shan's regular script fan
If the characters are different from the text, if each stroke of the characters does not resemble the ancients, then it cannot be called a character. If the text was used as a printing plate for the ancients, should it be called a text? This is the most difficult thing to explain to ordinary people.
How can words be related to human affairs? Government officials are afraid that they will have a slavish and vulgar atmosphere. If they are free of slave customs, they can be related to the wind and date, not just words.
Regular script does not know the changes in seal script and official script. No matter how wonderful the writing is, it will end up being a common style. The unpredictable aspects of King Zhong all come from Adu. I have truly seen through the ground that the skill cannot be perfect, so it cannot be mastered. If they are coincidental, there is no difference between them and the ancients. He was so proud of his seal script and official script that he was really shocked. He felt that there was no difference between the ancient seal script and the official script and official script.
Excerpts from "Official Script Thousand Character Essay" by Fu Shan
There is no more true practice than Orchid Pavilion, and the next step is to follow the holy order. Neither of them are good. If you must seek a rare book and then go to the pond, won't this path almost cease? Recently, most calligraphers are engaged in holy religion, but they are all maids as wives. Compared with Orchid Pavilion, the holy religion is already a horse under the shaft, but what about the slaves who live under the roof? Zhao Zi'ang was good at wiping lines and got this idea. However, there are many regular scripts in regular script, but he didn't know that there were many regular scripts in Lanting's script. That is, "Lanting Yiji" is one of the world's most popular Dingwu. With my eyes, it is no better than the Tang Dynasty silk version. This can be explained to those who know it, but it is difficult to explain it to outsiders. If we talk about it as a big perverse thing, Zi Jing cannot learn it, let alone others. It is the fault of Zijing to be first-class in the field of rice; to be the first-class in today's society is the sin of the Mi family. This is not the fault of the author, but the fault of the learner. Those who are determined will never fall into this evil path. The rest of this talk is nonsense, but I also see that there are many colleagues who are foresighted and knowledgeable, but I dare not force others to agree with me.
Wang Xizhi's "Preface to Orchid Pavilion"
In everything, God conquers Heaven, don’t expect anything from others, it’s all about Heaven. If you are not accustomed to people and deceive yourself about heaven, you will not be able to create anything in the sky. Human beings are the envoys of Heaven, and they guide them diligently. Heaven is not deep. If you write a word, you will know it. Over time, you will know it.
A man who is confused and impetuous is called a rough and arrogant person, and being rough is not a arrogant person. If the fruit is rich, it will not be rough. Moreover, the book writer Daomao Jun likes it to be rough, but also it is sharp and long? For example, if it is as thick as a sheep or a cow's hair, it can be as thick as a finger, an arm, or a belly. How difficult is it? Isn’t it useful? Why choose the rabbit with the back of the raccoon and the beard of the rat?
The incredible thing about Han Li is that it is clumsy and has no intention of being arranged at the beginning. Wherever the width, width, and density of the left, right, and right sides are wide and narrow, if you follow them with your hands, you will have a secret. The Lianghu Monument in the Sacred Forest that I visit today is like an object in a mold, with absolutely no flavor. I don’t know who turned it over and caressed it, which is very disgusting.
I don't know the origin of seal script, but I am learning calligraphy and writing. I am all asleep, and the person who invented it smiles.
Fu Shan's "Five Character Poetry Official Scroll"
A small skill in writing is not respectful to the Tao, but if you just write it, what is there for the Tao? My family has been like this for six or seven generations, but none of them were slaves to human beings. Until I started to have to deal with worldly things. Every time I send someone a message, I think it’s true. At that time, there was no respect for human authors. And there is anger in it first, which is very contrary to the mind and hands to create the wonderful thing. Only outsiders can understand it. However, there are also secrets that are not told. I force myself to be an interpreter and often says that I can't argue with my father and son's calligraphy, but I just keep my mouth shut. Probably the one who puts heavy ink and fills the dark branches is the father, and the one who uses light ink and bright lines between lines is the son. Every time I hear his comments, I feel dumbfounded. In the past thirty or two years, I have been writing for me, and many of my nephews have appeared, and people often say that my writings are true. But knowing a son but not knowing a nephew often saves me some trouble. What a tragedy, Ren Jing has left me alone for a year. Every time I receive the caress, I feel sad and heartbroken. How can I redeem this little Ruan? The fifth month of Yimao.
