Huang Tingjian, whose courtesy name was Lu Zhi, also known as Fu Weng, a Taoist in the Valley, was born in Fenning, Hongzhou (now Xiushui, Jiangxi), and was known as "Huang Valley" in the world. The poet of the Northern Song Dynasty, together with Zhang Lei, Chao Buzhi and Qin Guan, traveled to study under Su Shi's family. He was known as the "Four Scholars of the Su family" in the world and founded the Jiangxi Poetry School.
Huang Tingjian was born in a family with profound knowledge. His father was a famous poet and he had contacts with Wang Anshi, Ouyang Xiu and Mei Yaochen at that time. He was extremely intelligent since he was a child, but he had many fates and bumpy official career. He was very similar to Su Dongpo. He was also passionate about Buddhism and Laoism, no less than Su. "History of the Song Dynasty·Biography of Wenyuan" said of him: "Ting Jian's knowledge and articles are innate", and Chen Shidao said that he "learned from Du Fu in poetry, was good at cursive script, and also developed his own style of regular script." He himself said: "I have studied cursive script for more than 30 years. At first, he took Zhou Yue as his teacher, so he kept up his vulgarity for twenty years. Later, he got Su Caiweng (Shun Qin)'s beautiful calligraphy, and he got the ancients' writing style. Later, he got Zhang Changshi, Huai Su, Gao Xian Ink marks are a glimpse into the beauty of brushwork."
"Bao Yunfu Tie" is also known as "To Yunfu's Seventh Brother," "Bao Yunfu" and "Jili Tianyuan Tie". The paper is 32.6×65.4cm, with 18 lines and 242 words. There is no date of writing, but judging from the calligraphy style, it should have been written in his later years, probably between 1100 and 1105. There are seals such as "Uncle Xiang" and "Anqi's Seal". "Daguanlu", "Moyuanhuiguan", "Shiqubaoji continuation" and so on. Included are "Imperial Engraved Sanxitang Shiqu Baoji Dharma Calligraphy", "Guyuan Copying Ancient Dharma Calligraphy", "Song Huang Wenjie Public Law Calligraphy", "Song Calligraphy Paintings of Four Families", etc. Now in the National Palace Museum, Taiwan.
Huang Tingjian's "Sketches from the Seventeenth Envoy of Zhijingdao"
Huang Tingjian's "Sketches from the Seventeenth Envoy of Zhijingdao"
Running script on paper 27.8×47.4cm
Collection of the National Palace Museum, Taipei
【Explanation】
Changzhou envoy Jun Jingdao. Zong...Xiuye. Travel to Yu and Gongshou Jingzhen. The scenery along the way is for children to play. Qi Ran is at court today. Sigong Shou Jingzhen cannot be seen. Every time I see a scenery. There are still punishments. The Dukes of Xuanzhou Academy. Learn more. road. Book. Jingdao is particularly fond of writing and ink. Therefore, these three paintings are left behind. Hanlin Su Zizhan. The calligraphy is beautiful. Although the ink used is too rich. And there is more than enough rhyme. Today it is number one in the world. The remaining books are not enough to learn from. Scholars often write without energy. Now I am leaving my son behind to study. There is no way to choose a technique. Suitable for Huilin. Write a word for people. Try pen and ink. Therefore send this. Don't make a note. Ting Jian paused. The Seventeenth Envoy of Jingdao. May 7th.
This post is also known as "The Letter to Jingdao Envoy". Paper, length 27.8 cm, width 47.4 cm. It is included in the "Xihongtang Dharma Book", "Yuyantang Tie", "Haining Chen's Tibetan Authentic Tie" and other series of posts. It is included in the "Xihongtang Dharma Book", "Yuyantang Tie", "Haining Chen's Tibetan Authentic Tie" and other series of posts.
Huang Tingjian wrote these three poems as a gift to Zhao Jingdao because he liked to learn his calligraphy. The rulers mentioned Su Shi's calligraphy and rated it as "the best in the world" at that time. Huang Tingjian believed that learning one's own calligraphy would easily lead to "a weak and weak pen", and suggested that Jingdao should learn from Su Shi. Huang's calligraphy and Su Shi's calligraphy have their own merits, but Su's calligraphy is too rich, which is also a minor flaw. Huang once joked that Su's calligraphy "a stone crushes a toad", while Su retorted and mocked the yellow calligraphy "a dead snake hangs on a tree". Both sides mentioned the other's characteristics, At the same time, they also pointed out their shortcomings, and the teasing between them was all in good faith. It is precisely because of this that it has become an eternal legend.
Huang Tingjian's "Poems of Seventeen Envoys on the Road to Scenery"
The first and second poems are presented to my maternal uncle Sun Xinlao
Jiumo yellow dust and black hat bottom. In front of the white gulls on the spring water of the Five Lakes. The boat doesn't go for the bass. Collect fame for forty years. There is a bright moon in Zongshe Lake. The vegetation in Huainan lends brilliance. Therefore, the clam should be cut open to ascend to the royal family. It's better to walk in the sand and enjoy the sunset. On the right, I present to my maternal uncle Sun Xinlao
The third and fourth poems: Uchi Temple poems
The little cunning mantis catches the cicada. If there is more than enough, I will pity the cockroach. After eating, I returned to Beichangmeng. Yijiang Chunyue took advantage of the fish side. Taoli Wuyan made a fuss. Huang Liwei saw green in a hurry. People say that nine things and eight are laws. There is a river boat and I want to go east. Go back to the right and go to the study hall of Yuuchi Temple behind the door.
Poems 5 to 8: Four poems about Yao Hua by Wang Zhong and Zao Jian
Reflecting the sun and the low wind, the slope is restored. The green jade eyebrows are covered by yellow sleeves. Although rare in Daliang City. I know in my heart that I am not a cow flower. There are green flowers in the Jiuyi Mountain. Huang Yuncheng took the socks to Yang's house. The poem is broken by insects. This flower blooms out of lingering love. Immortal clothes are used to drive yellow swans. Cao Muguang smiled. The world is windy and unbearable. So wait until the shade leaves come down. Tang Mubing's skin shines in spring. manatee. pressure. The curtain cannot be opened. To put it bluntly, there is no way to enter the world of mortals. It's like a bee's beard and a butterfly's wings. You and Wang Zhong supervised at least four poems by Yao Hua. Use its rhyme
Huang Tingjian's "Inscription to the Scholars of Wujiu Tongfen"
("Nankang Tie")
Huang Tingjian's "Tie to Wujiu Tongben Scholars" ("Nankang Tie")
Running script on paper 30.8×64.7cm
Collection of the National Palace Museum, Taipei
【Partial】
【Explanation】
Ting Jian kowtowed. Biyin Nankang signed Li Cishan's Xuanyi boat trip. Serve the book. And send it to Shuangjing. By the end of summer, it will be clear. Those who are anxious will follow the teachings of March 6th. Please come and serve Wanfu. How comforting it is.
Hui sent Bao's poems and Yang (Yang) Zhou's collection. Really lives up to expectations. The four peaks of Guangling. People are both good and bad. There is also the work of seeing off the old and welcoming the new. There are very few days that come close to writing. However, the month of the decree is "Feng Yifeng." And my brother and nephew are in front of me. This is also a very interesting thing in life. And the master is with you. A lifetime of falling down. What did Xu Fu say? I heard that Wen Qian had good luck. So comforting to be alone. But it is unknown where Guan Er was obtained. The mountains and rivers are far away. I can't express my thoughts when writing this book. Please take care of yourself. Is it possible to make wine just before the stroke? When Si Gong was in Wei, he had many minor illnesses. Don't forget it either. Not twice. Ting Jian kowtowed. Brother Wujiu Tongjuan, a bachelor.
May 5th.
This calligraphy is also called "Yu Wujiu Tongjuan Shu", "Yu Wujiu's Explanation of Shiqu Baoqi's Dharma Calligraphy in Imperial Carving of Sanxi Hall" is called "Yu Wujiu", and "Moyuan Huiguan" is called "Nankang Tie". Running script. Paper. The length is 30.8 cm and the width is 64.7 cm. A letter. It was written after the sixth year of Yuanji (1091) by Zhe Zong of the Northern Song Dynasty. Volume 4 of "Authentic Calligraphy from Bohai Collection", Volume 4 of "Authentic Calligraphy from Chen's Collection in Haining", Volume 4 of "Xiu Dinxuan Collection", Volume 5 of "Li Shulou's Original Calligraphy", "Imperial Carved Sanxitang Shiqu Baoji Dharma Calligraphy" No. Thirteen volumes, "Renjutang Dharma Notes" Volume 5, "Guyuan Copying Ancient Dharma Notes" Volume 1!·Collected in three volumes.
Huang Tingjian's "A Book of Letters to the Master Who Knows the Fate of Heaven and the People"
Huang Tingjian's "A Book of Letters to the Master Who Knows the Fate of Heaven and the People"
Running script on paper. 25.5×45.9cm
Collection of the National Palace Museum, Taipei
【Partial】
【Explanation】
Tianmin, Zhiming, Grand Master’s Book: Shuang Han, I miss my eighth sister-in-law Anyu, Jiuyou, Siyou, the eldest bride, Sister Pu, Senior Brother, Si Niang, Wu Niang, Liu Lang, Shi Shi, Ming Er, Jiu Niang, Shi Niang, Zhang Jiu (咩儿), Han Shi, Xiao Han, Zeng'er, Hu'er and Jing'er are all in peace and happiness. When I cross the river, I miss you very much. I am lonely and impatient. There is no need to worry about the road. The road is very safe. However, there are many old states and counties that we pass through, so we have to stay for food and wine. Everything at home is smooth and harmonious. The three of them take turns taking care of the house, so don’t break the rules. 3. Students should not ask Tui Bing to stay at home. Meals should be delivered and taken back according to the season. The academies are constantly being cleaned up, and writings should not be lent out. If you know your destiny, throw down the medicinal herbs, read the scriptures, and seek tranquility and happiness, the great master will surely achieve merit by reading the "Book of Han". On October 14th, the report was made. All you bastards and below, take care of your children carefully and don't make any noise.
Huang Tingjian's "A Book of Letters to the Lord Knowing the Fate of Heaven and the People", this post is also called "The Letter of Knowing the Destiny to the Heaven and the People", "Explanation of the Royal Carving of Sanxi Hall Shiqu Baoji Dharma Poster" is called "Family Letter", "Daguan Lu" is called "Family Letter", "Mo Yuan Hui Guan" calls it "Heaven and the People Know Their Fate", and "Coral Net" calls it "Shou Jian Yi Tong". Running script. Paper. A letter. 25.5 cm in length and 45.9 cm in width. The book was written in the second year of Shaosheng, Zhezong of the Northern Song Dynasty (1095). Included in Volume 13 of "Yu Carved Sanxi Hall Shiqu Baoji Dharma Notes", "Guyuan Copying Ancient Dharma Notes", Volume 2, and "Song Huangwenjie Gongfa Tie" Volume 2.
Huang Tingjian's "Jingzhou Tie"
(Letter to Deacon Xuande of Gongyun County)
Huang Tingjian's "Jingzhou Tie" (a letter to the deacon Xuande of Gongyun County)
Running script on paper, 31.2×43.2cm, 2nd year of Shaosheng (1095)
Collection of the National Palace Museum, Taipei
【Explanation】
When Tingjian bowed again, the road was tired and trailing, and no movement or stillness could be attached. So for about sixty days, rain and snow were blocked everywhere, even to Jingzhou. The spring air is warm. How about not checking your physical strength today? If the king does not work hard, he can enjoy the pleasure of sharing words with his colleagues? The people he sent were very helpful, and he was very helpful on the luggage path. Going up the gorge in Jingzhou, taking a boat is not expensive but convenient. There was no need for the person, so he was sent back. Tomorrow we will board the boat and set off. We will not be able to stop you for this long distance. We will increase our feelings by reading the book. We must respect ourselves for the sake of the Tao. I would like to tighten my hand, and on March 4th, Tingjian will pay homage again. Deacon Xuande of Gongyun County.
"Jingzhou Tie" in running script by Huang Tingjian of the Northern Song Dynasty, also known as "Movement and Stillness Tie" and "Zhi Gongyun Magistrate Xuande Deacon's Rules and Letters" on paper, 31.2×43.2cm, 10 lines, 132 words. The book was written on March 4, the second year of Shaosheng (1095). The seal has the seals "Ji Xi Palace Treasure" and "Treasure of the Celestial Calendar", and later has the inscription "Chen Ke Jiusi Enters". It was collected by An Qi in the Qing Dynasty and is now in the National Palace Museum in Taipei. Included are "Yu Engraved Sanxi Hall Shiqu Baoji Dharma Calligraphy", "Guyuan Copying Ancient Dharma Calligraphy", "Song Huang Wenjie Public Law Book", etc.
Huang Tingjian's "Teaching Examination Post"
(Also known as "Studying in the Green Shade" and "Yu Li's Letter of Commitment")
Huang Tingjian's "Jiaoshen Tie" (also known as "Study Green Shade Tie" and "Yu Li's Letter of Commitment")
Running script on paper 27.1×43.1cm
Collection of the National Palace Museum, Taipei
【Partial】
Huang Tingjian's "Snow and Cold Tie"
(Also known as "Child Slips to Uncle Ming in the Same Year")
Huang Tingjian's "Xue Han Tie" (also known as "A Letter to Uncle Ming in the same year")
Running script on paper 28.8×17.5cm Collection of the National Palace Museum, Taipei
【Explanation】
Ting Jian paused and accepted the edict. He had experienced this before and had been waiting for a long time. Why didn't he come? The snow is cold, is it safe? The big axis is here for you, but don't show it to too many people. If you don't understand the meaning, you may ask for it. The craftsman Shi will be in trouble when he cuts his nose. Ting Jian paused. Ming Shu Shaofu's family is the same year.
Huang Tingjian's "Xue Han Tie" is also known as "Ming Shu Shaofu" and "Child Slips to the Ming Shu Shaofu". Running script. The paper is 28.8 × 17.5cm, with 6 lines and 61 characters. There is no date of writing. Comprehensive comparison in terms of brushwork, structure, style, etc. shows that it is very close to "Dongjingtie" and "Zhidao of the same year to Uncle Ming", and was roughly written in the Shaosheng period.
The seal has "Han Zhai", "Yuan Bi", "Wu Zhen", "Chen Ding" and other marks.
"The First Collection of Shiqu Baoji", "Records of Paintings and Calligraphy in the Forbidden City" and others. Now in the National Palace Museum, Taiwan. The writing in this post is vigorous, profound, elegant, free and elegant. The turns of the strokes are also regular and well spaced.
Huang Tingjian's "Tibetan Notes"
(Also known as "A Letter to Uncle Ming in the Same Year")
Huang Tingjian's "Tibetan Calligraphy Notes" (also known as "Child Slips to Uncle Ming in the same year")
Running script on paper 28.5×20.5cm
Collection of the National Palace Museum, Taipei
【Explanation】
When I saw the loan, I felt very ashamed. It's a trivial matter. I've seen Xu Tong and Dong Yu, and it's a great benefit. I sent you a volume of "Treatise on Treasures". How about reading it for a trial? Because it is decorated with a crow-green paper and is solemn, so I am very lucky. Ting Jian paused. Uncle Ming lived in the same year.
Huang Tingjian's "Tibetan Calligraphy" in running script, also known as "Child Slips to Uncle Ming in the Same Year", "Letter to Uncle Ming in the Same Year", etc., paper, 28.5×20.5cm, 6 lines, 55 words. The book was written around the second year of Shaosheng (1095). There are seals such as "Collection of Xiang Zijing Family", "Wu Zhen" and "Jiang Shang Mo's Book Seal". "The Continuation of Shiqu Baoji", "Records of Paintings and Calligraphy in the Forbidden City", etc. Included in "Li Shulou's Original Copybook" and "Moyuantang Zhenzhen", etc. Now in the National Palace Museum, Taipei.
Huang Tingjian's "Bao Jiang Tie"
(Also known as "Chenghui Tie")
Huang Tingjian's "Baojiang Tie" (also known as "Chenghui Tie")
Running script on paper 28.9×37.6cm
Collection of the National Palace Museum, Taipei
【Explanation】
Ting Jian paused, Cheng Hui's ginger and ginkgo felt very far away, two pounds of Yong Su, one bunch of Qingzhou dates, many generals are diligent in their pursuit, and it is not a crime to commit blasphemy, Ting Jian paused.
"Baojiang Tie", also known as "Chenghui Tie", has 5 lines and 37 words. There is no date of writing, but judging from the brushwork, structure, and style, it should have been written in the early years, probably between 1086 and 1093 Yuanyou years. This post captures the flying, free and easy charm of Zhang Xu and Huai Su's cursive calligraphy. The writing style is tight and sharp, with sharp and thin strength, strong momentum and various changes in structure. From the first line of writing, you can see that the pen and ink stretch freely, and it becomes more casual at the end. It can be said that the mind and hand are free, and it has reached a state of perfection. Although this note is small, it contains countless things, reaching the realm of Dongpo's saying: "When you are young, you must have magnificent weather and gorgeous colors. As you get older and mature, you will become dull" and "unintentional good things lead to good things".
Huang Tingjian's "Diligence Post"
("A Letter to the Official Deacon and a Tongzhi")
Huang Tingjian's "Qinxin Tie" ("To the Official and Tongzhi Deacon's Rules and Letters")
Running script on paper 27.9×24.8cm
Collection of the National Palace Museum, Taipei
【Explanation】
Ting Jian kowtowed. Insulting the teachings. Extremely diligent. I was begging for a small bowl. Wash the pen next to the grind. Just come to me. Those who are slightly more generous (click on one word) will be promoted to Xu. He inherited drinking utensils and bottles of village mash. I am so ashamed that I have to receive and receive gifts repeatedly. If necessary, please give instructions. Ting Jian kowtowed. The official's words are straightforward and deacon. Tingjian kowtows, answers questions humiliatingly, and is extremely diligent. He originally went to beg a little Mencius, studying and washing his brushes. He only has a wide cup for his mouth, which is only half a liter. I am very ashamed of my empty vase. I have received the gift repeatedly. If there is anything you need, please give me instructions. I will kowtow to you in court. A straight-talking deacon.
"Qingen Tie" is also known as "Exhortation Tie" and "Zhi Gong Yan Tong Zhi Deacon's Letters"; the running script paper is 27.9 × 24.8cm, with 8 lines and 71 characters. There is no date of writing, but judging from the aspects of brushwork, structure, calligraphy style, etc., it should have been written in the early years, probably between 1086 and 1093 Yuanyou. There are seals such as "Song Hetang", "Zhiyi Seal" and "Daguan". "Records of Calligraphy and Painting", "The First Collection of Shiqu Baoji", "Records of Calligraphy and Painting in the Forbidden City", etc. Now in the National Palace Museum, Taipei.
Huang Tingjian's "Qi Jun Tie"
Huang Tingjian's "Qi Jun Tie"
Running script on paper, 27.8×48.5cm, 3rd year of Chongning (1104)
Collection of the National Palace Museum, Taipei
【Explanation】
Ting Jian paused. The two humiliations looked down upon each other. Very beneficial. Exiled in disgrace. Because of the waste of personnel. Can't pay tribute. I am so ashamed of the intention of insulting you. Clumsy words required. The weather is cool and comfortable. Maybe three or two pieces. The disciples often took it away again. Sixty old man. Sweat in May. This cannot be done today. If you want to be smart, you can observe it. Chengwanliang went ahead. Cherish it. Xiangjiang is all close to the past. But the hot summer is not the time to write or write. Unable to write a book. Those who see it know this meaning. Tingjian paused and stood before the king.
"Qi Jun Tie", also known as "To Qi Jun Ruler Slip", "Letter to Qi Jun", "Cui Gu Tie", running script, paper, 27.8 × 48.5cm, 13 lines, 109 words. It was written in the third year of Chongning (1104). There are seals such as "Cao Rong's Seal", "Mao Jiuchou's Seal", "Shaoxun's" and other seals. "Shiqu Baoji Sanbian", "Forbidden City Calligraphy and Painting Records" and other records. "Baoxiantang Collection of Ancient Dharma Calligraphy" and "Pomo Zhai Dharma Calligraphy" , "Genuine Calligraphy Collection in Bohai Sea", "Authentic Calligraphy Collection in Chen Family Collection in Haining", "Dharma Books from Hanxiang Hall", "Books from Celebrities of the Tang and Song Dynasties", "Dharma Calligraphy from Pingyuan Shanfang", etc. It is now in the collection of the National Palace Museum in Taipei.
