He Weipu (1842-1922), courtesy name Shisun, later nicknamed Panzhi, also known as Pansou, also known as Qiuhua Jushi, late Sui Laoren, family name Yisuzhai, Panzishanfang, He Shaojisun, a calligrapher and painter, and lived in Shanghai in his later years. , make a living by painting. The calligraphy of He Shaoji is very similar.


He Weipu's eight-character running script screen, 169×41cm, collected by Hunan Provincial Museum.


(1) Su Po said that in ancient and modern water paintings, most of them are flat, distant and thin, and the good ones are just undulating waves. When people touch them with their hands, they say they have depressions and ridges, and think they are wonderful. Especially when competing with the printing plate and water paper, the work was clumsy in the Tang Dynasty.



(2) In the next year of Tang Guang, Sun Wei, a virgin, began to come up with new ideas. He painted huge waves, twists and turns with mountains and rocks, followed the shapes of things, and showed the changes of water. He was known as Shenyi. Later, Shu people Huang Quan and Sun Zhiwei both acquired his writing skills.



(3) I first learned that Wei Yu and the Shouning courtyard of Daci Temple were blocked by lakes, water and rocks. After many years, I finally refused to put pen to paper. One day, I entered the temple in a hurry. I was very anxious to write and ink. I rushed like the wind, and it was done in an instant. I had diarrhea and diarrhea.



(4) The momentum of jumping and frowning is so fierce that the house is about to collapse. More than 50 years after Zhiwei, Pu Yongsheng in Chengdu began to participate in the Xingxing Painting Association, which received the wishes of his second grandson. In modern times, Sun Baiping meant that the source of the pond was the dredging source, which was a small stream with flat waves and stopped as a dredging stream.



(5) Yan, leading to a decisive vent, completely unexpected by the predecessors, and the new rules are victorious. Don't use rockery rocks to jump and form rapid currents on their own; don't use the beach to form turbulent splashes and form waves on their own. Make the husband linger in the winding and straight, rippling with the current, and naturally grow



The text (grain) is fine, orderly and not chaotic. It is said that when painting diffuse water, it is best to keep the water veins flowing, and when painting rapid water, it is best to not mix back into the waves. Therefore, we know that the ocean is reserved and its flow is smooth, and its flow is diverted and diverted, and its ripples are its potential. This is the true nature of the ocean.



(7) Going into the water. There is a painting of water by Cao Renxi in Chuzhou Shengyin Yuan, in which one stroke is one and eight feet long without any continuation; one stroke in Qi Wenxiu's painting of irrigation water in the Qingji River is five feet long, and there is a stroke on the back wall of Changzhou Buddhist Temple.



(8) In the water painting, there is a stroke that is forty feet long from end to end. The brushwork is old, undulating, and relatively lively. The more you look at it, the more amazing it becomes. It is truly a unique skill. The brother of Kanghou has a letter from the Taoist governor, which means he hopes to be a good man. He Weipu, the grandson of the poem,