200 Calligraphy Works Of He Shaoji

He Shaoji is a great calligrapher, but his poems are hidden in the title of the book. He was a master of the Song poetry school in the late Qing Dynasty and was good at depicting mountains and rivers. For example, in the seven-rhythm "Yuan Xiang", there is a couplet "The roots of rocks are rooted in water, and the water is angry, and the mountains are frightening beyond the sky." The first sentence is a metaphor for the complexity and danger of the world's storms, and the second sentence shows the immeasurable progress of human beings, which is worth chewing.

"For example, when writing, use the center of the center and the end of the stroke, covering all sides. Is it thick? Is it not rhyme? Is it not strong? Is it not light and far? This must be done with the Dantian Gong when holding the pen, and high Only by focusing on the eyes, twisting and turning, and relying on the gods to get this energy. If you are really round, it will be a big disaster, a big disaster!"

Each stele in Yan's book has various images, but this stele is unique in its simplicity, which is the epitome of cunning changes. The original engraving of "Xi Gong Shu" has been handed down to this day for no more than ten stones, which is not enough to give a full glimpse of its transformation and change of situation. 

 The ancient seal script of the Prime Minister of Qin Dynasty was written in small seal script, which means it is too solemn but has a far-reaching meaning. The usage is profound, and the cover is also revealed in the calligraphy rules. This ancient rubbing of twenty-nine characters is precious, but if you want to trace its origin to the Zhou Dynasty, it is not as interesting as the wide, round and thick seal script of the two capitals. The carved carvings are simple, the broken goblet is round, and the principles are clear.

He Shaoji was an official, but due to the downgrade of his speech, he stayed away from the officialdom and traveled around, amusing himself with calligraphy works. In his later years, he tired of traveling and lived in Changsha. He sang harmoniously with Huang Daorang, Wang Xianqian, Wang Kaiyun and others, and became a chapter of the elegance of Changsha poetry. .

Regular script reached its peak in the Tang Dynasty, and its origin must be eight points. The people of the Tang Dynasty were far away from the two capitals, but they were able to get started with it, and they had the wonderful ability to follow the rules in real books. People in the Song Dynasty did not pay attention to regular script, so they used running cursive writing to incorporate it into real scripts, which changed the world. Tang Xian's Samadhi is far away, Kuang Shanyin and Pei are almost? Xiangyang is good at imitating ancient times, and there is no regular script in the ascetic grass. This "Ode to the Old Man" is a typical example of Zhuangzheng, which has the squareness of the Six Dynasties and the broadness and stability of Beihai and Jihai. [Wide areas allow horses to move, but tight areas do not allow ventilation.] I believe this is true. In the past, I saw the ancient seal-cut stone rubbings of Mi Laoda, which were slanted and unruly. Unexpectedly, they had such power when they were incorporated into the original book. Considering that there are not many genuine books from Qi, he wants to surpass the two kings with his simple etiquette, but does not want to compare with the Xian'er of Tang Dynasty with his imitation. Investigate the short and long aspects of freedom, why is it just a matter of words?

Before the Tang Dynasty, there were many steles and tablets, which originated from the seal script. The body was solemn, and the calligraphy and engraving hands had their own strengths. The rules remained unchanged and there were a lot of changes. As soon as the collection of posts was published, the writings of tens of generations and thousands of people were combined into one place, and the hooks were copied by one hand. It is not possible for everyone to guess the character and strength of the person who wrote the book. However, for those who have done a lot of coquettish things, we can already imagine the character and strength of the person who wrote the book. What’s more, he has no book title. There is no one in the world who is not good at writing and can engrave the calligraphy of ancient people. There is also no one who can write in one family and engrave the calligraphy of hundreds of families. The rest of my youth also learned to copy and draw. At that time, I learned Pingyuan calligraphy, and the drawings I drew were all close to Pingyuan. The heart is what I learned, saying that it was originally the same idea. Later, I gradually made progress in calligraphy and law, and then I realized that I was wrong. There are many flaws in "Xihong" and "Tingyun", and this is where the shortcomings lie. The "Chunhua" is rare, especially because the author from whom it was published has never seen its original copy and cannot discuss it. I guessed it based on my assumptions, and smelted it in a common furnace. The hardware was not separated. The bad calligraphy of the Song Dynasty was caused by the "Ge Tie". Similar books flourished in the Tang Dynasty, but the purport of classics was different from that of others. Postscripts began in the Five Dynasties and Song Dynasty, but the calligraphy laws declined. All the disciples in the school have been wiped out. The ancient method has been lost, and the new method has come into being, so the decline of the eight methods is inevitable. Huairen's "Holy Teaching" is a collection of Shanyin and Pei Ji. The pearls are shining like fishes, and the wind is quiet. However, the husband is transformed into a maiden, and the hero is bound to be a puppet. Stones can be destroyed, but felt vertebrae are so expensive! The figurines were collected here, and Shi Miaogeng followed them. "Chunhua" became the ancestral version, which is unparalleled in its respect. After crossing to the south, the disaster was not over yet. If you look at the ancient tablets in the collection, you dare not include the word "Fang Zhong" in it. Is it because it is so difficult? The bamboo slips are circulated, and the slanting and twisting are used to create interesting postures, and the hooks and hooks can be used to obtain the meaning of bending. Tang stele and Song Dynasty inscriptions, the gains and losses of being humble can definitely be known. [Xizhi's popular books take advantage of his charming appearance], how can it be too much to say Changli language! Dongpo, Valley, Junmo, and Xiangyang are free from restraints and strive to be proud. However, the one who breaks free from restraints and leads you to the truth is Po Gong. The three sons are all nineteen people.