Explanation:
When the autumn evening rain and smoke are about to fly, cranes come to the pavilion trees, climb up with vines and whistle, and open up the clear and bright eyes. You can visit Hualin Garden. It is said that it is appropriate to play Shengle. The prince was speechless at the beginning, but he chanted the past and the present. The poem said: Why silk and bamboo. The mountains and rivers have clear sounds and tiger hills are cooking. Ming invites guests to play the south wind, wander around and watch the clouds sway, and then feel free and full of desire. I have good sleeves and hands that day. Ancient poems say that the green mountains and beautiful water can be heard as far as the eye can soothe. Why bother to live in the desolate grass and trees with the fences down? There are no mules or horses in the densely packed house, because we are separated from each other in the same room, so we can entertain ourselves in the summer, with lotus hair and the scent of water on the threshold, to display historical sites, splash ink and write about distant mountains. This foreigner has an upright mind and looks at the Wuhou Pond. The music and songs are really made of grass and dew, willows covered with thatched couplets. The book is high and I lie down by the north window. When the breeze comes, why should I let Yuan Ming be Emperor Xi? In the first Qing Dynasty, the Weiyun people received Er Tang Bohu's residence in the Wu Dynasty, drove a small boat, called, painted, harp, and cranes and traveled to and fro. After that, they became poor and begged in the eunuch. The eunuchs did not know that they were mad and arrogant. Gao Shen was cynical and carefree. Holding one's knees and drinking wine, looking at the refreshing air of the Western Mountains and listening to the sound of the bells, my ears are soothed and I can't feel smooth. However, in the middle of the year, brother Nian of Qing Dynasty rushed to the front and was elegant, and was full of literary and algae smoke. People know him as a scribe, but they don't know that his liver and gallbladder are abnormal, his bones are very strong, and he is an economic talent. He is blessed with elegance. It has always been a good idea to send this volume to a distant friend to ask for the book. At that time, Zhi pretended to set off and call the slave to finish it and write this. A period of my life's spirit. In the late spring of Luoxia, Wang Duo
Judging from the signature of this cursive script, it is "Jiazi late spring" and was written in the fourth year of Tianqi (1624), when Wang Duo was thirty-three years old. In the first month of that year, Wang Duo was sent to the Hanlin Academy for review. In the spring, when he returned to his hometown, his uncle Chen Juci died in April and stayed by his bed. Until winter, I traveled from Mengjin to Luhun Mountain, then went north along the Yishui River, passed Longmen, and climbed Xiangshan Mountain. It can be seen that this volume was written when he was in his hometown. It is difficult for us to imagine that Wang Duo, who was thirty-three years old, could write such a mature and confused work, which is almost the same as his later works. I think there are two points worth noting. One is the signature, the word "Duo" is related to his later years. different. In addition, when writing works in his later years, the king's internal stroke method was used, and more attention was paid to the interspersed changes from left to right, forming an S-shaped trajectory. However, this volume basically follows a straight line downwards. Wang Duo's cursive calligraphy inherits the tradition of Xiao Wang's continuous cursive writing. The momentum is continuous and ups and downs, and the writing is vast and thick. In the process of writing, there are more real connections than intentional connections, so it has the interesting effect of big beads and small beads falling on the jade plate. Every time There are thicker words on the page and dry and dry words that reflect each other, making the visual effect extremely dazzling. We can clearly see Wang Duo's breakthrough point from a series of changes in ink color such as rising ink, thick ink, and dry ink. Secondly, Wang Duo is extremely talented in grasping the shape of characters. He is good at using risks to create momentum and seeking balance in instability, just like a gymnast walking on a balance beam. It is this kind of swaying danger that makes people continue to enjoy the pleasure and beauty brought by novelty and freshness, just like writing, which makes people constantly enjoy the pleasure and beauty brought by novelty and freshness: let our psychological rhythm integrate with the rhythm of writing, and feel the pen and ink of joyful beating. Again, Wang Duo uses the method of dense spacing and wide spacing, which creates a contrast. The method of one dense and one sparse also strengthens its formal effect to a certain extent. Of course, the most thrilling thing in viewing is the powerful and powerful texture of Wang Duo's calligraphy lines, which gives people a penetrating effect. Liang Zhangju said in the postscript of this volume: "Meng Jin's calligraphy is majestic, enough to overthrow his predecessors, but some habits have not been eradicated. This volume is like a divine movement and the heavens follow it, and it is almost transformed. Zhang Ershui in my hometown is majestic, but the flying is inferior to this. All of them are unique skills in the art world." He attributed the characteristics of this album to the majestic flying dance, which can be said to be a family tradition.
